Heart of Darkness Revisited: The African Response rino zhuwarara The Exclusion of the Intended from Secret Sharing in Conrad’s Heart of Darkness 197 nina pelikan straus Narratological Parallels in Joseph Conrad’s Heart of Darkness and Francis Ford Coppola’s Apocalypse Now 183 linda costanzo cahir The Typescript of “The Heart of Darkness” Joseph Conrad’s First Cruise in the Nellie g. Victorians and Africans: The Genealogy of the Myth of the Dark Continent 43 patrick brantlinger Rino Zhuwarara, “Heart of Darkness Revisited: The African Response,” originally published in Kunapipi 16, no. Ian Watt, “Conrad’s Impressionism,” from Conrad in the Nineteenth Century (Berkeley: University of California Press, 1979), pp. Nina Pelikan Straus, “The Exclusion of the Intended from Secret Sharing in Conrad’s Heart of Darkness,” originally published in Novel: A Forum on Fiction 20, no. Revised and reprinted with permission of the author. Zdzisław Najder, “To the End of the Night,” from Joseph Conrad: A Chronicle, translated by Halina Carroll-Najder (Cambridge: Cambridge University Press, 1983), pp. Reprinted with permission of the authors and of Texas Tech University Press. Copyright 䉷 1980 by the Textual Studies Institute, Department of English, Texas Tech University. Marion Michael and Wilkes Berry, “The Typescript of ‘The Heart of Darkness,’ ” originally published in Conradiana 12, no. Reprinted with permission of the Harry Ransom Humanities Research Center, University of Texas at Austin. Hope, “Joseph Conrad’s First Cruise in the Nellie,” originally published in The Conradian 25, no. Arthur Conan Doyle, The Crime of the Congo (Garden City, N.Y.: Doubleday, Page, 1909), pp. David Denby, “Jungle Fever,” originally published in The New Yorker, 6 November 1995, pp. Joseph Conrad, “An Outpost of Progress,” from Tales of Unrest (London: T. Reprinted with permission of Antiques & Collecting Magazine. Cyril Clemens, “A Chat with Joseph Conrad,” originally published in Hobbies: The Magazine for Collectors (January 1966): 85, 88, 92. Linda Costanzo Cahir, “Narratological Parallels in Joseph Conrad’s Heart of Darkness and Francis Ford Coppola’s Apocalypse Now,” originally published in Literature/Film Quarterly 20, no. Reprinted with permission of the author and the University of Chicago Press. Copyright 䉷 1985 by the University of Chicago. Patrick Brantlinger, “Victorians and Africans: The Genealogy of the Myth of the Dark Continent,” originally published in Critical Inquiry 12, no. Reprinted by permission of London Management. Copyright 䉷 by the Estate of Max Beerbohm. Max Beerbohm, “The Feast,” from A Christmas Garland (London: Heinemann, 1912), pp. Psychological fiction, English-History and criticism. (Casebooks in criticism) Includes bibliographical references. Library of Congress Cataloging-in-Publication Data Joseph Conrad’s Heart of darkness : a casebook / edited by Gene M. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved.
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